I want to find a new game, but I haven’t. Not really. I’ve dabbled in Vampire: The Masquerade – Coteries of New York by Draw Distance and–by the way, the name irritates me every time I see it because it’s so pretentious. A colon and a dash? Please. Anyway, I’ve never played any of the other VTM games even though it should be my jam (love vamps!) because they’re old. It’s old. One game thus far with a sequel being teased. I was gifted the game by Ian and decided to give it a try the other night. There are three clans from which you can choose (classes, if you will), two of the three which intrigued me. The anarchist class and the artistic/lover class. The third class is the blue blood (wealthy) class, which leaves me cold. I will try it at some point, probably, especially as it’s the only female character of the three, but I have no interest in it.
I started with the anarchist, naming him yanluo–the Chinese god of the underworld. I never capitalize names in games and I don’t know why. After roughly fifteen minutes, I started over again as the artist, naming him gamab–the African god of death. Sense a theme? The basic story is the same. Oh, it’s an interactive graphic novel, by the way. All the characters are impossibly hot, but that’s to be expected because they’re vampires. Well, there’s one who isn’t because he belongs to the Nosferatu clan, which is the hideous monster clan.
It starts with a mysterious vampire (I presume) talking to you at the beginning and explaining that some powerful vampire had died. Then it goes back to how you became a vamp in the first place. It’s a different story for each character, but it ends up the same. You get turned, your sire deserts you, and the *sigh* Sheriff, Qadir, comes to clean things up and whisk you away. I’m sighing because he is yuuuuuuuuuumy. I was Googling the game for reasons and there are quite a few people thirsting for him.
I like the game. I’ll try the blue blood character at some point, but I don’t know how much longer I’ll play it. It’s interesting, but none of the dialogue choices are ones I’d choose. It’s the bane of dialogue-driven games, unfortunately. One of the choices is usually close enough and I haven’t had a situation where all three choices are completely off. While I like it, however, I just don’t have much compunction to play it. There’s no burning desire so we’ll see if I actually go back to it.