Underneath my yellow skin

Tag Archives: dark souls

Video game randomness

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Feeling scattered, so I thought I’d do a stream-of-consciousness post about what’s on my mind re: video games. How is this different than any other post you ask? First of all, rude. Secondly, it’s different because I’m announcing it ahead of time. Third point, normally I write about one general topic with many little side paths. In this post, they are all side paths. With that warning, let’s jump right in.

I spent all day yesterday thinking it was Tuesday? Why? I have no idea. Therefore, today is Wednesday in my world. That may explain why I forgot that Cook, Serve, Delicious! 3?! was released in Early Access yesterday. Now, Steam is down, and I cannot cook, serve, and be delicious! By the way, I love the way the developer, David Galindo also known as chubigans because it’s his Twitter handle) numbered the sequels. The original is Cook, Serve, Delicious!. The first sequel is Cook, Serve, Delicious! 2!!. And this one is Cook, Serve, Delicious! 3?!. It’s a little thing, but I think it’s fun. Well. The store page loaded and then the search page loaded. Then, the game page did not load. Apparently, Steam is down in the US and the UK.

Oh. Dark Souls thought. I’ve been ruminating about all the hate for casters I have several thoughts, but one that just suddenly occurred to me. Apparently, magic really was OP in Demon’s Souls–the one game I haven’t played. Not coincidentally, it has a mana bar, much like Dark Souls III does. That does make it easier to make casting overpowering because you can basically have as many spells as you want as long as you spec for it. In addition, in Demon’s Souls, the magicks don’t have level stats. Let me give you an example. In Dark Souls, White Dragon is a sorcery that needs 50 points of Intelligence to use. Pyromancy doesn’t require spell levels in the original game, but it takes 340,500 Souls to fully upgrade the Pyromancy Flame. That’s 55 levels. That’s a shit-ton of levels.

So my theory is that someone who played as a caster in the first game or saw someone play as a caster in the first game formed an opinion of casting that didn’t change throughout the games even though the mechanics of magicks have changed drastically from game to game. Also, I think it’s laziness in which someone just repeats what they see/hear in the videos/forums without really thinking about it. It doesn’t make it right, but it makes it more understandable.

Back to CSD3. Which I still can’t play because Steam is still down. The original was one of my favorite games of all times, It’s one of the few games I’ve 100%ed. Well, until they added new content. The same thing happened with Binding of Isaac: Rebirth. I got True Platinum God before they changed the requirements. Then I couldn’t be stuffed with either to do what needed to be done to achieve it again.

Steam is back up, and I am installing CSD3 as I type. I won’t be able to play it until later, but it’ll be a treat when I’m done with everything I need to do. I’m tempted to play it now, but I know once I start, I won’t be able to stop for hours. I have my Sabre Form lesson in an hour, and I am not going to want to stop by then.


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Feeling icy about Iceborne

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It’s not Fashion Borne, but it’ll have to do.

Ian and I have been  chatting about Iceborne. He’s loving it, and I’m….um….playing it. A little. Reluctantly. Back when I was playing the base game, he gave up on it much sooner than I did. Then at some point, he jumped back in and finished the storyline. We have very different ways of approaching games, and I think it was to his benefit in this case. He tends to play several games at once, even before he was in the industry, whereas I might dabble a bit, but I usually focused on one game at a time. This works well for me in FromSoft games, and even then, I find myself approaching burnout near the end of each game. For whatever reason, that goes away, and I play the games over and over. Well, to be more precise, the Souls games. I’m currently stalled on my most recent Sekiro playthrough because it takes so much out of me, and I have to be at my best to play it. I’m rarely at my best.

So, Ian is loving Iceborne whereas I’m trying to love it. He’s put about half to a third as much time into the base game as I have, and he recently completed the Banbaro set. He’s maining the Insect Glaive, which is one of my two backup weapons. Charge Blade is the other. One of my issues, I insisted on clinging to my gear from the base game, even though I had read that you should immediately make new gear in MR. I mean, it makes sense. I had to do it back when I made the jump from LR to HR. It was one of the things most discussed–don’t bother grinding out all the gear in LR because it’ll be useless in HR.

The thing, is, though, HR is many hours more than LR. By the time I was done with HR, I had fourteen Switch Axes all fully upgraded and dozens of loadouts. One for each monster. It’s not an economy  issue because I have over 2,000,000z and over a hundred and twenty-five thousand research points. I have mats for days, although my using the elder melder to make some of the rarer resources on the regular seriously cut into my Great Jagras mats. The point is that I can’t get over feeling as if I wasted my time in HR. I finally gave in and made MR armor and the basic bone swaxe. They already do more damage/have more defense than my fully-upgraded HR gear. Intellectually, I understand why this is the case, but emotionally, it’s a hit.

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The problem with Souls-like games

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badass blacksmith, but a bit broken.
My buddy, Andre! Er, Bataran.

So, there’s a little game called Ashen that was exclusive to the Epic Store for a year and just was released on Steam earlier this week. I had my eye on it when it was first released, and then I noticed it was on Steam. I snapped it up and eagerly dove in. It’s a Souls-like, and I read a bit about it but not much as my thing is to go in as fresh as I can with the games. That doesn’t last long as an hour later, I’m madly Googling shit. Unfortunately, in the case of Ashen, not many people have played, but we’ll get to that in a little bit. I was immediately taken by the graphics as it felt very paper-craft/cut-out to me. It had a charm to it, and the little bit of reviews I read were mostly positive. I knew there were AI companions, and I was on the fence about that going in. Still on the fence now, but I’ll get to that later as well.

Jumping in, there was very little character creation, but I made her look as Asian as possible. I wasn’t able to name her, unfortunately, but then I just jumped in. The buttons were mostly the same, but there were a few that made me raise my eyebrow. One was putting jump on Y. Um, no. That’s not where the jump goes. I tried to put it on A, but that was was for interaction, and I was sternly informed that they could not be on the same button. I swapped the two, which isn’t ideal, but A has to be jump. Just as B is roll. This is life. This is how it  is. And it can never be changed.

The rest of the controls are similar enough, but we’ll come back to the jump in a bit. I  know I keep saying this, but I’m trying to do this in an orderly fashion, which is not like me at all.

In the beginning, I have some rubbish weapon and some rubbish clothing and a rubbish shield. The enemies aren’t very memorable, and the spear-chucking woman quickly gets irritating. Also, spear-throwing is…um…problematic. That’s your projectile in this game, and you have to aim it. It’s not enough to lock on it and throw. You have to manually aim to throw the spear, which when you’re running around and fighting enemies in general is not doable for me.

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I can’t accept the new me

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One of my flaws is that I have a fairly rigid way of looking at myself. I tend to think of myself in terms of absolutes, which does not allow for any change. I’m grumpy, cynical, depressed, fat, and  introverted. That’s who I am. Taiji, video games, writing, and reading. That’s what I do. More specifically, blades, Souls, mysteries, and mysteries (respectively). It’s a weird tension because when I ignore what I know about myself, it doesn’t usually go well. Some small examples–going to see Pulp Fiction with a boyfriend (many years after it was released). It was his favorite movie, and he really wanted me to see it. I warned him that I was not going to like it. I knew I wouldn’t, but he was convinced that either I would like it or he would be ok with me not liking it.

Reader, I didn’t like it, and he wasn’t ok with it. Not only did I not like it, I fucking hated it. I loathed it with every pore of my being. I thought it was shallow, grotesque, and painfully hipster. I hated everything about it. When my boyfriend asked me what I thought about it afterwards, I made the mistake of telling him. Not in the terms above, but more as what I saw about it that was problematic. After I was done, there were several seconds of silence. Then he said he couldn’t be with someone with that kind of worldview and dumped me on the spot. He wanted to be ‘just friends’*, and we saw two other movies together. Both that he loved and insisted I’d love (we are both slow learners), and I hated both.

Here’s the weird thing about me. I don’t always know what I’ll like, but I know what I don’t like. Not sure what that says about me, but there you go. When I hate something, I hate it hard. If I hate something from the start, I do not change my mind. The biggest glaring exemption to this is Dark Souls, the original. I hated it as I was playing it, and now, it’s one of my favorite games of all time. You know what? That’s not entirely correct. When I first started playing it, I was instantly hooked even though I was so bad at it. That is unusual in and of itself because I normally refuse to do things I’m not good at. For some reason, however, I kept playing Dark Souls. I nearly quit once (Bell Gargs), quit for months once (Gaping Dragon), and came thisclose to quitting for good (Biggie & Small), but I overcame all those hurdles and felt like a goddess. Then, the second half, which I hated every minute. I was sick and tired by the end, but I made it through the whole game, including DLC. I remember saying in my brain once I was done, “I never have to play this game again.” Ah, how young and naive I was back then.

I actually held to it–until Dark Souls II was announced. For whatever reason, my lizard brain said I had to play that game. In order to prepare for it, I decided to play the first game again. Why? I don’t know. That’s how my brain works. Also, I wasn’t going to buy the second game on release, so I had time to play the first game at my leisure. Considering it took me nearly 150 hours to play it the first time, I needed as much time as I could to play it again. Playing it a second time made me a complete 180 on the game, and it’s now the game to which I compare every other game. I’ve played it probably a dozen times, and I’ve played the third one twice that.


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Feeling meh about The Surge 2

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Let’s talk more about The Surge 2. I haven’t played much this week because while I enjoy* the game as I’m playing, I don’t have a burning desire to play it when I’m not. In fact, I oftentimes don’t have the wherewithal to play it, so I choose to play a game that doesn’t tax me as much. I love Souls games, obviously, but I have to be up for playing one. Funnily enough, I’ve reached the point with actual Souls** games where they are comforting gaming to me, but that doesn’t mean I won’t have trouble in places. It just means that I know them well enough to turn my brain off as I play, especially if I play as a pyro or a strength-caster. Dark Souls III is my ultimate comfort game, and I have been thinking of playing it again instead of finishing The Surge 2. I’ll get to that in a minute, but let’s talk some more about Delver.

Delver is the nano beast underground who has three health bars. I have accepted, barely, two health bars, but I don’t like it. Yes, I understand that it adds excitement and tension, but it also feels cheap much of the time. I know it’s a staple of the FromSoft games, and they had one of the best ones in Sekiro (The Guardian Ape) ever, but I think it’s something that should be used sparingly. Having three phases?*** No. Now that I’ve said that, though, two of the three-phase boss fights have been amazing, and they were both in the DLC for DS III. Please note, however, that that meant fighting them near the end of the game. Yes, you can do the DLC earlier, but it’s not recommended.

Delver is halfway in the main game, and he is not optional. Come to think of it, I don’t know if there is an optional boss in this game. One of them I’ve fight *might* be optional, but I’m not clear on that. The rest, however, are not. Having a three-phase boss halfway through the main game sucked all the air out of me at that moment. I had no desire to spend hours battling this guy, so I Googled how to fight him. I stumbled upon a reddit thread (or a Steam thread. I don’t remember which) from a guy who said he had spent five hours fighting Delver and still hadn’t beaten him. Five hours! That’s how much I spent on several FromSoft bosses!  I was not willing to put in that much effort for this boss.

I’ve said before, but part of the reason I’m having more reluctance playing this game than the original is because it’s markedly better. The first game was a hot mess, and I pretty much accepted that. I played it without any expectations, and as a result, I had a good time with it. This game, however, I had expectations from the start. I expected it to be better than the first game, and it was–markedly. The environments are better; the graphics are better; the NPCs are more interesting; and the weapons are better.  Almost everything is better (though there is still a healthy amount of jank), and the bosses in general are…not sure better is the word, but harder is definitely fair to say. And more interesting.


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The good and the bad of The Surge 2

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oh dear. it's coming.
What fresh hell is this?

The Surge (the original) was a surprise hit for me when I played it back in 2018. I even gave it an award and everything! I will never argue that it’s a great game, but I had a blast playing it. The RKG group (members of the group, not RKG themselves) hates it almost uniformly, and they got mad at me for saying I liked it better than Nioh. They argued that Nioh was a better game, and they seemed befuddled when I agreed. I know Nioh is a better game than The Surge. I mean, it’s more technically accomplished, it looks better (though there are some UGLY levels in Nioh–I’m looking at you, snow world–and the combat is more complex. Actually, that was part of my issue with Nioh, though I’d be curious to see if I felt the same way now that I’ve finished Sekiro. It’s more imaginative, and I like the demon/fantasy theme much better than the sci-fi world of The Surge. However, when it comes to which one I enjoyed more, indeed, which one I actually finished, it would be The Surge.

It was such a success that a sequel was inevitable. I was hyped about it, but also nervous. Why nervous? Because I was hyped about it. See, I wasn’t expecting anything from the first game. Why? Because Deck13 Interactive’s first game, Lords of the Fallen, was a hot mess. The reviews ranged from lukewarm to downright excoriating. Me, I hated the game. A lot. It was fantasy, and should have been right up my alley, but all they seemed to take from Dark Souls was ‘heavy’ combat. They were transparent about their love for Dark Souls, but they didn’t seem to understand what makes it such a transformative game*. It’s like looking at the Mona Lisa and thinking the smile was the only thing important about the painting. Yes, it’s an integral part, but it’s not the whole. I feel the same about Deck13 and Lords of the Fallen. Yes, the combat is weighty, but that’s just the tip of the iceberg when it comes to Dark Souls. Also, the magicks is shite in LoF, at least in the first hour. Also also, just throwing a mob of enemies at the player isn’t a great way of making a game difficult. My biggest complaint about LoF was that they seemed to go into the game thinking, “We want a game that is hard” and built everything around that instead of having a vision that integrated elements of a challenging game.

When The Surge was announced, I wasn’t anything more than mildly interested. Nothing about it screamed, ‘come here!’ to me, and I let it go until it went on sale on Steam. Then, I tried the demo and had a reasonably good time, so I bought it for like ten bucks. I wasn’t expecting anything from it, and I was pleasantly surprised. There were several things I did not like about the game, but overall, I had a decent time with it. When the sequel was announced, I was stoked. But, as I said above, also nervous. Was I expecting too much?

Fast-forward to September 23rd when the game actually dropped. I bought it four hours before it released and pre-loaded it. I was excited and ready to roll by the time the game was installed. Graphics looked better than the last one, and the environments were more varied in the first few hours than they had been in all of the original game. I got to make my own character, and, yes, I made her an Asian woman. There wasn’t that much customization, but the fact that they allowed me to do any at all was a step up.

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And now for something different

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I’ve been cutting back on my Streets of Rogue obsession because of a little game called Children of Morta (which I call Children de la Muerta in my brain) by Dead Mage. It caught my attention while it was in development, and I watched in interest when it was released two weeks ago. I was still in the throes of my Streets of Rogue fervor, so I didn’t buy it yet. Then, I started watching NL play it because it was what he replaced Streets of Rogue with. I was immediately grabbed by the art style and the story, even though the narrator sounds like he’s trying to be Wayne June (the narrator of Darkest Dungeon). I also really like that the family is called Berson, and the individual names are Grandma Margaret, John (father, playable), Mary (mother), Linda (oldest daughter, playable), Kevin (younger son, playable), Mark (older son, playable), and Uncle Ben, the blacksmith. Oh, there is also Lucy, the younger daughter, who is (as far as I know) not playable. The graphics are pixelated and gorgeous, and it’s an epic story of…well, I’m not sure, yet, but it’s fantasy, and then to be playing as Linda Bergson. She’s my favorite, by the way, and I’ll get to that in a minute.

I was hooked from watching NL, and I quit watching so I could play it mostly unspoiled. I bought it yesterday, installed it, and I have to say it didn’t immediately grip me. Not because of the game itself or the story or the combat, but because of the controls. I was using k/m, and Left Shift/Q/R as common buttons felt awkward to me. I found out from Ian that you could use controller, which was my impulse in the first place, but I hadn’t seen any keyboard remapping so I erroneously assumed it wasn’t possible. Dark Souls has done this to me, and I’m not entirely displeased with it. By ‘this’ I mean being a console grrl and a PC gamer.

The controller felt much better, but with two weird things. One, the dodge/evade button is A. I tried it as B (forever the roll/dodge button in my brain), but it didn’t work because of weird thing number two. As Linda, you can use the right stick to shoot while you’re moving. In that case, hitting B to dodge is inopportune. I eventually settled on A (the original button), but I don’t necessarily like it.

Either way, I started over with controller, and I played two hours straight. I made it to the first boss and beat it in five or six tries. I came really close on my second try, but then I fucked it up. At no time did I feel as if the boss was undoable, and it’s in part because I saw NL fight it (and beat it on the second try). I did give John, the melee character a go, but he’s very vanilla and boring. Linda is ranged with a bow and arrow, and I like raining different arrows down upon my enemies.


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Get your gate-keeping out of my games

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Recently, in the RKG group, there was a post by a guy (gender relevant) which stated that it may be an unpopular opinion, but you cannot say you truly beat Bloodborne unless you do the Chalice Dungeons and beat all the bosses (paraphrasing). I posted my opinion which basically is who the fuck cares? I was more diplomatic than that, but it’s what it boils down to. I hate gate-keeping in…well, anything, but I notice it most often in things I care about, naturally.

First of all, just fucking state your opinion. That’s tangential to my rant, but it irks me when someone starts anything with ‘this may be unpopular’. Own your shit! Who cares if it’s unpopular or not? Of course, I might be particularly cynical in this instance because all of my opinions are unpopular. Well, not all, but many of them. In addition, my whole lifestyle is unpopular in one way or another, so I’ve become inured to it. In addition, it has a whiff of excuse giving in the beginning. Kind of like, ‘I’m not racist, but’ blah, blah, blah.

Again, that’s just a side note to the real irritation–men who unilaterally decide the markers that make someone a TRUE whatever fan. I later tweeted on Twitter that while I loved the Souls games, I hated this aspect of ‘the community’.

Side note: I love the Souls games with the intent to replay them. I love Sekiro, but it broke me. I intellectually thought Bloodborne was a good game, but I didn’t love it. I would replay it if it were on the PC, but I don’t like playing on the PS4. I would replay Sekiro until the cows came home if I could co-op. I understand why I can’t, but I’m not willing to spend ten hours on bird daddy or the last boss once again. So when I’m talking about the community, I mean the FromSoft community in general.

Anyway, I know the gate-keeping thing isn’t specific to FromSoft games, but there’s something about this kind of game that brings out the extreme toxic masculinity. I think it’s because the games are difficult to begin with, so if you play them, it’s easy to get an attitude about it. I will say beating a FromSoft boss is unlike any other feeling, especially after hours of failing against the same boss. There is a dopamine hit unlike any other, and it’s why I continue to play the games.

Part of my disgust is because who gets to be the keeper of the gate and why? Historically, it has been men. Mostly white straight cis dudes who hang every part of their identity on their knowledge of a certain thing. It’s a way to keep people out, and it’s similar to a ‘no girls allowed’ sign. It’s a way to make someone feel better about himself.


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Hope is fading…like the First Flame

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I hate video games. This, obviously, is hyperbole, but it’s starting to feel true. I tried Furi this week, and I couldn’t get past the tutorial boss. Before you tell me to git gud, n00b, hear me out. I knew going in that Furi was a hard game. It’s all boss fights, and each one is difficult in its own way. That’s all I knew going in. Oh, and that the protagonist is in jail and has to fight the jailer to get out. That’s all I knew firing it up, and I was prepared to have my shit pushed in time and time again. What I wasn’t prepared for was how fucking irritating the jailer/warden, whatever the fuck his name is. I’m going to call him FuckFace just because. No reason. Anyway, he talks waaaay too much. Maybe it’s because I play Dark Souls and Monster Hunter, but I’m not interested in someone flapping his lips at me as I’m trying to kill him. Yes, there was Micolash in Bloodborne, but he was fucking annoying as well. Not as annoying as The Jailer, though. He’s sneering and pompous an supercilious. And he won’t. stop. talking. He fancies himself a dom with me as his unwilling sub. He talks about killing me again and again and again. Blah, blah, blah.

I could tolerate that, barely, if it weren’t for the fact that he has eight phases. Yes, you read that right. Three of them are tutorial, and you heal to full after each one. But, so does he. Then, in the fourth phase, shit gets real. He starts attacking you with everything he’s got, and I died to him a few times. I also noticed myself doing damage, but then seeing he had full health. What? Oh, right. He has a fucking shield for each phase. So you have to kill the shield before doing actual damage to his health. You get three lives to do five phases (plus shields), and I just–no. I did not want. I set down the controller, uninstalled it, and sighed sadly.

The thing is, I think it’s a good game. I really do. I just think it’s above my pay grade, and I don’t want to put in the work it would take to get firmly mediocre at it. Plus, I hated listening to The Jailer being such a jackhole. In addition, there were two other things about this game that made me turn stop playing. One, there are bullet-hell aspects to the game, which I do not enjoy. The other is that you have to learn to parry.

*SOUNDLESS SCREAM*
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I don’t think I actually like video games

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I came to a realization a few weeks ago that I may not actually like video games. Hear me out. I’ve been playing ‘hardcore’ games for roughly seven years. The first one was Torchlight, which I absolutely loved. I loved the protagonist who looked Asian if you squinted. I really loved that she came back as a voiced NPC in the sequel, and her voice was low and husky like mine. I loved that I could have a pet whom I could name and feed fish. The game was very addictive, and I immediately had the ‘just one more level’ feeling about it.

Diablo III was right after that, and I really dug that as well. Then the Borderlands, original and sequel, which I played for hundreds of hours. Then, I played Dark Souls, and everything changed. I could no longer play hack ‘n slashes afterwards because the combat was empty and unsatisfying. Yes, I played Skyrim afterwards and enjoyed it*, but I was a caster (of course), so I didn’t have to do much of the melee combat.

In all this time, I played dozens of games that I didn’t like. At all. Some that I really wanted to like and should have been up my alley, such as Alan Wake, and others that I just didn’t like at all. Like Arkham whatever. I’m not sure which game, but I hated the combat. I gave it a fair shake–a few hours–but I just didn’t click with it at all. Others, I liked, but there was one aspect that I just couldn’t stand that made me fall off it, such as Sleeping Dogs, which I call Sleepy Dawgs for reasons that should be obvious. I really liked it, not in a small part because of the badass Asian male protagonist, but the driving suuuuuuuuuuuuuuuuuucks. I can’t emphasize that enough. I didn’t love the combat as it’s similar to the Batman combat, but I could hack that. It was the driving that I haaaaaaaaaaated. I distinctly remember the incident that made me quit. I had to follow a wedding cake truck (long boring story) to get the cake back. After failing it twice, I was DONE. When I went back to try it again much later, I accidentally erased my saved game because United Front Games, the devs, made the inexplicable decision to put New Game at the top of the queue rather than Load Game like everyone else, and there are no saved files in the game–at least when I played. That was it for me. No way I was playing the game again, and I have not.


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