For quite some time, Novemember has been novel-writing month for me. I have done NaNoWriMo for over a decade, and in the latter years of doing it, I became a NaNoRebel instead because I was bored with the original premise (writing 50,000 words in the month). I’ll be honest–I can easily write 50,000 words in a month. I used to write two-thousand words a night every night, which took me roughly three hours or less.
Two years ago (I think it was), NaNoWriMo was accused of not doing enough when a moderator was purportedly grooming children in the teen forums and luring them to fetish websites. NaNoWriMo organizers/leaders did not react well at all, and they dragged their feet on doing anything concrete about it.
Last year, they made some very ill-formed remarks in support of AI for disabled writers/writers with disabilities (they were widely condemned by said community), and they were called out for their ableism. They shut down the last day of March this year (2025).
I felt no remorse to see them go. In addition to their reacting badly in these two major situations, I had just outgrown them. I did not see any reason to not start a novel before the first of November or not to edit or to count my words. I am grateful that they got me in a groove back when I was doubting my ability as a writer, but I did not need them by the time they shut down.
I will say that I’ve had a big writer’s block since I had my medical crisis. I have tried to write since then, but it’s been a struggle. Not these posts, but writing, ah, let’s just call it fiction for now. It’s not strictly fiction, but that’s close enough.
The problem isn’t that I don’t have an idea–I have one. It’s changed and shifted in the four years since my medical crisis, but the core is still there. The problem is that I write about thirty thousand words (or more), and they just lie flat on the page. They don’t dance and glimmer as they should; they just stubbornly sit there.
I have said many times that I consider myself the conduit for the characters I create. I’m not writing their dialogue and actions–they are. I have had characters simply refuse to do what I want them to do if it’s not what they want to do.
With my current project (well, current as in the one I want to work on, but I have not touched it since last November), I have been calling it ‘everything and the kitchen sink’ in my head. Why? Because I want it to be part memoir, part murder mystery, part romance, part comedy, part noir spoof, and part homage to Bloodborne. Oh, and all cohesive. Or not. I want it to work, but it doesn’t have to be cohesive, exactly.
I’ve always been weird. It’s only been relatively recently that I’ve figured out (with the help of a friend) some big reasons why. It’s not because my brain is broken, which is what I’ve thought for decades. Well, the mainstream and normies would probably consider it broken, but it’s that I’m neuroatypical.