Today’s post is supposed to be on fun (following my self-set schedule), but it’s not going to be on something fun so much on…well, let me just explain in my own, sweet, meandering time. I want to start vlogging because it’s what all the hip, happening kids do these days. Even though I’m an old, aching crankster who wants you to get off her lawn, I want to give it a whirl. Why? There are several reasons. One, many people don’t want to read longform posts these days. I understand because people are busy, not as interested in reading, blah, blah, blah. It makes me sad, but I acknowledge the reality. Personally, I don’t want to watch a video of someone talking about something and would rather just read it, but I think I’m in the dwindling minority these days. Two, I used to be a performer back in the day. I was with Theater Mu, and then I started doing solo performance pieces. It was hard work, but it was so damn rewarding. I would feel as if I was going to throw up ahead of time, but then I’d be riding high afterwards (followed by a crash, damn it). The several minutes after a performance was exhilarating, and the applause was just the icing on the cake.
I am a writer. I have said before that it’s in my blood, but I’d give it up in a heartbeat if I could be on stage. I wouldn’t want to give it up, obviously, but if I had to make the choice between writing and performing, it would be the latter every time.* I loved being in front of a crowd, and I fed off the energy of a live performance. Don’t get me wrong. I love writing, obviously, and I can do it copiously day after day (though I will admit that some days, it’s hard to crank 1000+ words a day), but the interactivity of it is limited. I write my posts, then I publish them and send them off into the ethers. I may get a response; I may not, but there’s no immediate reaction to it. On the other hand, when I perform, the stakes are so much higher. I’ve forgotten my lines while performing, and it’s the worst feeling in the world. I’ve delivered flawless performances and have received standing ovations, and it’s the ultimate high. Seriously. Noting has felt as good as the applause I’ve gotten for my performances. Not sex. Not getting good grades in school. Not finishing the Sword Form (though, to be fair, that’s more a subdued and sustained feeling of bonhomie). Not eating a whole pint of peanut butter fudge ice cream (back in the days when I ate dairy).
I remember one performance in a workshop where I received the best reward when I finished my monologue–silence. Oh, I know everyone’s about the standing O, but there’s nothing like that moment of stunned silence at the end of a performance which indicates that your audience is so absorbed with what they’re experiencing, it takes them several seconds to transition back into reality. I remember another for a dyke event in which I stripped down to my panties and received a thundering standing ovation at the end of the piece. I remember another that gave me so much trouble as I was writing it–it was a performance from my heritage culture (Taiwanese) for children, and the kids loved it. It was worth every gut-wrenching moment of writing it just to have that experience.