When I was in my twenties, I had stories in my head all the time. They were clamoring to be heard, and I couldn’t wait to sit down and write. I could write for hours with the words just pouring out of me, and my biggest problem was knowing when to stop. It’s the same when I started blogging. I had so much to say, and there seemed to be so little time to say it in. I was passionate about my opinions, and I wanted the world to know what I had to say. Even when I was depressed, I could write. It’s the one thing I didn’t have to force myself to do. I couldn’t make myself take a shower, but I sure as hell could type thousands of words.
When I first started writing at the tender age of seven, I wrote poems. They weren’t great poems, but they were heartfelt. I never much cared for rhyming or more traditional poetry, but I loved free-form, and I wrote what I considered prose-poetry before it became a thing. I found it limiting, however, especially as I did not enjoy reading poetry, and I eventually switched over to prose. Part of the reason is because I loved to read, but I never saw anyone who looked or acted like me. I’ve nattered on about representation in popular culture so I’ll skip that whole spiel right now, but I felt a longing in my heart any time I read to see someone, anyone, who looked like me and/or had a life experience that was at all similar. There’s a Toni Morrison quote that has stuck with me about this sentiment:
If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.
She also has said unapologetically that she is a writer for black people, and she doesn’t have a problem with that. She said it was “in the same way that Tolstoy was not writing for me, a 14-year-old colored girl from Lorain, Ohio.” I felt the same about much of what I read. Even if something was exquisite literature and moved me, there was always something missing. There was an explosion of Asian immigration stories when I was in my mid-to-late twenties (I blame Amy Tan), but they didn’t feel that relatable, either, because they were about Chinese laundries, broken English, and three generations of suffering women. It became so prolific, I remember standing in the middle of Modern Times (used bookstore) in San Francisco, seeing another spate of books like this, and loudly declaring, “If I never see another book about three generations of suffering Asian women, it would be too soon!” My friend shushed me, but I was fed the fuck up.